Free PDF The Stand Omnibus, by Roberto Aguirre-Sacasa Mike Perkins
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The Stand Omnibus, by Roberto Aguirre-Sacasa Mike Perkins
Free PDF The Stand Omnibus, by Roberto Aguirre-Sacasa Mike Perkins
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About the Author
Roberto Aguirre-Sacasa is an American playwright, screenwriter and comic-book writer best known for his work for Marvel Comics and for the HBO drama series Big Love. He lives in New York City
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Product details
Series: The Stand
Hardcover: 768 pages
Publisher: Marvel; Slp edition (September 19, 2012)
Language: English
ISBN-10: 0785153314
ISBN-13: 978-0785153313
Product Dimensions:
8 x 2.8 x 11.5 inches
Shipping Weight: 8.3 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
39 customer reviews
Amazon Best Sellers Rank:
#447,810 in Books (See Top 100 in Books)
When a weaponized influenza strain dubbed Captain Trips is accidentally released, the country (and perhaps, the world) is left devastated. Following this mammoth wave of disease and death that will preface mankind’s last stand, a group of shell-shocked survivors is united in their shared dreams of an ancient woman in rural Nebraska alongside nightmarish visions of a faceless man lurking out west.The Stand Omnibus, which translates Stephen King’s epic saga The Stand into graphic novel format, is by far the finest adaptation I’ve ever read. Unlike most other adaptations, the talented Roberto Aguirre-Sacasa adheres faithfully and painstakingly to Mr. King’s apocalyptic vision without excising any parts of the story. Nearly every scene from the book is accounted for, and the story consistently progresses in expected sequence. Although much of the original text is skinned, every narrative caption still contains residuary traces of King's unique voice. The scenes showcasing the nefarious Randall Flagg are dark and threatening, and the detailed depictions of the plague-ridden streets of various cities blanketed in decaying corpses are raw and borderline disturbing. Two panels in particular: one featuring a naked crucifixion, and another in which the decomposing corpse of a looter is seen hanging from a streetlight, his hands savaged removed while crows feast away at his lifeless eyes (an apparent nod to George R. Stewart's Earth Abides), makes it plain that Marvel Comics pulled no punches with the novel’s violent nature. The characterizations look realistic and Mike Perkins’ impeccable artwork deftly conveys what each character is thinking and feeling; and Laura Martin’s astonishing colors captures each character and vista in sharp detail, interpreting King’s descriptions with fantastic clarity. The interactions between the characters are vibrant and there are even moments when silent countenances seemed to tremble with emotion. As with the novel itself so too does this visual translation brilliantly communicate the tortured pathos of the superflu survivors, damned to this desolate world, desperately clinging to the faintest glimmers of hope. Adapting one of Stephen King’s opuses to other visual mediums is a difficult feat to accomplish—I submit the unconvincing TV miniseries of The Stand as Exhibit A, of which Molly Ringwald’s portrayal of Frannie can be construed as a torture device—but Marvel took an hefty gamble with this novel and it paid off in spades.The second of this two-volume slipcase set is a companion guide not unlike an auxiliary DVD with featurettes and assorted ‘extras’, providing an in-depth exploration of how this massive project came to fruition, including staff interviews, rough sketches, character profiles, and maps charting the scrawling, cross-country odysseys undertaken by Stu, Larry, and the Trashcan Man. As is noted in the supplementary material, adapting The Stand spanned over four years. Miraculously though, the creative team, amidst an industry in which teams are often disbanded, managed to remain together from the first issue to the last, and thus the reader is rewarded with the beautiful consistency of art style. While casual fans may not be interested in reading about everything that went in to making this adaptation a reality—such as photographing the Lincoln Tunnel and various other vistas of New York City and Boulder, Colorado in order make the landscaping in the story appear as authentic as possible—but those Constant Readers with an especial affinity for The Stand will bask in the wealth of information found in this companion.The Stand Omnibus is everything you want from a balanced, absorbing retelling of a Stephen King masterpiece.
The stand by Stephen King is one of my favorite books and this graphic novel adaptation did not disappoint. Stephen Kings The Stand has been said to be one of his greatest works and a comic adaptation for this novel was an amazing idea. I am not going to summarize the novel or comic in this review but I will touch on some of the major things that make this a must read for any fan of Stephen King, The original novel, or the comic medium in general. First of all any King fan will probably love this book because of the fact that it an is absolute classic King novel, but secondly the artwork is amazing. The characters, setting, and the use of color in this comic do not only hop off the page but they are so true to the source material I couldn't help enjoying every gory and dramatic moment I read it. The comic flows extremely well and is not difficult to read due to the linear panel grid and limited amount of splash pages used which is a huge plus in a day and age where some comics make it hard to follow the story and text bubbles due to congested artwork. The book is basically a verbatim retelling of the king novel and the story translates extremely well from an 1100 page tome of a novel to a comic that is significantly shorter. But the best part of The Stand Omnibus is the actual beauty of the books. The grey slipcase protects your books from unnecessary wear and tare and is a nice extra to keep your 2 books together but the actual leather bound stitched binding omnibus and companion are beautiful. ( companion book contains original comic cover gallery and plenty of extras such as additional artwork, sketches, and background information into the world of the stand) the only book on my shelf that looks nicer than these is my absolute preacher #1 and that is saying a ton due to the amount of hardcover comics that I own. So if you love The Stand, King, or comics in general check this out while you can still find it in print you will not be disappointed.
The content of this book is excellent from artwork to the adaptation process of King's masterwork. I am very happy with those aspects.What does bother me, as has been noted in a few other reviews both here and on collected edition forums, is that the binding of this collection is VERY poor. Most copies have the signatures separate from the ribbon in part or entirely by the time you are halfway through the book due to what I can only imagine is a bad batch of binder's glue and lack of quality control which has been getting worse and worse at Marvel's manufacturers lately. This leads to issues including signature separation, horrifying cracking sounds every time you open the book, and overall lack of structural integrity. There have been many pictures shared of this phenomena on comic forums and I am entirely sure that this defect is not limited to my copy. Buyers beware.
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